Today's stingThe culture is shifting faster than the headlines can keep up. We are keeping score.

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Issue 10.21.26cultural analysis with teeth.
The big read

Call of Duty: World War WTF

North Korea vs. the PlayStation Generation. Modern Warfare 4 drops players into a fictional Korean War — a conflict that technically never ended. Seth Rogen almost started WWIII over a comedy. Now imagine millions of gamers digitally blowing up North Korean tanks.

By Tragedy USAStaff Writer
Read the full piece
The big read
÷
Soldier in full combat gear moving through darkness — the aesthetic of war as entertainment
Culture · Tragedy USA · October 20, 2026

Previously featured

Previously featured

Under the Influencer

The PMRC wanted to put a warning label on the record. The algorithm doesn't need a warning label — it studies the outrage and recommends twelve more.

By The Riz · October 1, 2026

Read it

From the Video Desk

France Is Burning

Clip 01 · Oct. 17, 2026

Street Level

Clip 02 · Oct. 17, 2026

The Confrontation

Clip 03 · Oct. 17, 2026

Into the Night

Writer, unfiltered
CALhoolie, contributing writer

From the desk of · September 28, 2026

Democratic Republic or…?

There's an undeniable fusion of controlled infective opposition and civic demobilization at the heart of every polemic. Preferences have been hijacked and covertly conflated into divisive biases.

We, one and all, are being Managed. Sheldon Wolin saw it coming. CALhoolie on Inverted Totalitarianism, managed democracy, and the shorthand manual for how we got here.

Read the full piece

CALhoolie

Contributing Writer

Criminal Justice

The Death Penalty Died. Christa Pike Didn't.

By Alyssa G

Tennessee strapped Christa Pike down and tried to kill her. Then it tried again. When that didn't work, an ambulance came to save her. That isn't a dark joke.

Empty hospital room with institutional bed and equipment — a clinical setting that mirrors the theater of lethal injection

There is something almost impossible to comprehend about what happened in Tennessee on September 30.

The state strapped Christa Pike down and tried to kill her. Then it tried again, and when that didn't work, an ambulance came to save her.

That isn't a dark joke. It isn't some rejected scene from a dystopian movie. That is essentially what happened after Tennessee attempted to execute Pike, the only woman on the state's death row, for the brutal 1995 murder of 19-year-old Colleen Slemmer. Officials administered two rounds of Tennessee's lethal-injection protocol. Pike survived. She was eventually transported to a hospital, critically ill, where doctors began providing the very thing the government had spent the evening trying to prevent:

Life-saving medical care.

Nobody Needs to Pretend the Crime Was Not Horrific

Any serious discussion of Pike's case has to begin with Colleen Slemmer. Pike was 18 when she tortured and killed her classmate, whom she viewed as a potential romantic rival, in 1995. It was a brutal crime, and nothing about questioning capital punishment requires minimizing the severity of what took place.

You can believe that someone committed an unforgivable crime and still question whether government employees should be given the machinery, chemicals, and legal authority to deliberately stop that person's heart. Christa Pike can be guilty. Colleen Slemmer can deserve justice. And the government can still be asked whether it has any business running a death chamber. All three things can exist at once.

Then the Machine Broke

Tennessee's execution protocol provided for a second round of injections if the first failed to cause death. So when Pike did not die, they administered another. The protocol apparently had a rather significant hole in it: what happens when the second attempt doesn't work either? The answer turned out to be an ambulance and life-saving care.

Witnesses described the long and confusing process, portions of which occurred with the curtain closed. Pike remained alive after two rounds of pentobarbital, and her attorneys ultimately sought emergency court intervention and medical treatment. Tennessee's own Department of Correction subsequently acknowledged that its protocol allowed no additional procedure after what had already been attempted.

Kill her. Didn't work. Try again. Still didn't work. Save her.

The White Coat Problem

Lethal injection has always carried an interesting bit of theater. The execution chamber doesn't look like a medieval dungeon. There is no chopping block. No hooded executioner swinging an axe. There are tubes, needles, gurneys, chemicals, medical-looking equipment. It resembles healthcare just enough to make the entire process easier to watch. But medicine normally exists to preserve life. Execution exists to deliberately end it.

Pike's case smashed those two worlds together in spectacular fashion. One group of people put chemicals into her body intending to kill her while another group received her afterward and worked to keep her alive. Same human body. Same night. Two completely opposite missions.

The Government Is Still the Government

Death is the rare government program without an appeals process afterward. That's why the standard cannot simply be: does this person deserve to die? There is another question: Do we trust the state enough to make absolutely certain it gets this right?

After Pike's failed execution, Gov. Bill Lee suspended the state's remaining executions for 2026 and ordered an independent review. The state's correction commissioner subsequently announced his resignation.

The Curtain

Perhaps the most disturbing symbol from Pike's execution wasn't the needle. It was the curtain. Witnesses reported that significant portions of what happened occurred while the execution chamber curtain was closed. One media witness emphasized afterward how much of the process had happened outside public view.

If capital punishment is something society believes is necessary and morally justified, then society should be capable of looking directly at what it has authorized. Not the sanitized phrase. Not lethal injection. Not carrying out the sentence. The actual thing.

We demonstrate that killing is wrong by killing the killer.

The Most American Ending Imaginable

The state wanted Christa Pike dead. The courts allowed Tennessee to proceed. The machinery was prepared. The chemicals were administered. Twice. And Christa Pike didn't die. So an ambulance arrived. Doctors went to work. Machines were used to keep her breathing.

There is something almost perfectly American about the contradiction. We built an elaborate legal system to determine whether a person should die. We built an elaborate execution system to make it happen. Then, when that system failed, we activated another elaborate system to save her.

Not whether she committed a terrible crime. She did. Not whether Colleen Slemmer deserved justice. She did. The harder question is what justice requires from the rest of us — because once we give government the power to deliberately take a human life, the debate stops being only about the person lying on the gurney.

It becomes about us. About what we're willing to authorize. About what we're willing to watch. And about what happens when the executioner fails and the doctor has to walk through the door.

Criminal Justice · By Alyssa G · Oct. 2026

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Pictorial

France Is Burning

October 17, 2026. Hundreds of thousands in the streets. The evening news gave you the fire. Here's what it looked like.

Protesters filling the streets of France, October 17, 2026

France · October 17, 2026

Demonstrators marching through French streets, October 2026
Protest crowd with signs and flags, France October 2026
Street scene during France protests, October 2026
Protesters gathered in French city center, October 2026
Demonstration scene, France October 17, 2026
Crowd scene during France protests, October 2026
Protesters in the streets of France, October 2026
Street protest scene, France October 2026
Wide view of France protest march, October 17, 2026

France · Oct. 17, 2026

Read the full piece

From the Video Desk

France Is Burning

All videos

Clip 01 · Oct. 17, 2026 · France

Street Level

Ground-level footage from the October 17 demonstrations.

Clip 02 · Oct. 17, 2026 · France

The Confrontation

Scenes from the clashes between demonstrators and police.

Clip 03 · Oct. 17, 2026 · France

Into the Night

As darkness fell, the demonstrations continued. Fires, flares, and a government with no good answers.

Accountability desk

We keep score.

Three things the media moved on from. We didn't.

Ongoing

Mississippi's Water Crisis

Jackson's water system has been failing for years. The fixes announced never fully materialized. The people most affected are still waiting.

Investigation: Alex Reyes

Unresolved

Purple Member Berries illustration

Member Berries

A nonpartisan grievance desk for the things we were told to forget. We haven't.

Staff · ongoing

Read Member Berries

Watch

The Republican Fracture

The split isn't coming. It's already here. The question is who controls the wreckage.

Analysis: The Riz & Simo Dollaz

Yeah, this happened.

The record, unedited.

Three stories from the feed. No spin. No softening. Just what happened.

01 / Culture

Call of Duty: World War WTF

North Korea vs. the PlayStation Generation. The gaming industry's favorite military recruitment simulator has decided to take its talents to the Korean Peninsula. And somewhere in Pyongyang, somebody is probably having an aneurysm.

Read it

02 / Member Berries

Two Weeks to Flatten the Curve. A Lifetime to Pay the Bill.

"Two weeks to flatten the curve" sounded like a sacrifice people could manage. The calendar changed. The bills kept their original deadlines. For an owner who lost a diner, a barbershop or a basement venue, "the economy recovered" offers little comfort.

Read it

03 / Politics

France Is Burning, and the Suits Would Like You to Lower Your Voice

Hundreds of thousands marched across France on October 17. A burning car gave the evening news everything it needed — and absolutely no obligation to explain why anybody showed up.

Read it

Culture

Sketchy Politics

Political cartoons that say what the headlines won't.

Latest
Political cartoon: Erica Kirk performing an elaborate public mourning ritual — weeping at a podium, surrounded by cameras and reporters, while a grief consultant whispers stage directions in her ear

No. 13

Erica Kirk and the Art of Weird Mourning.

Grief is personal. Public grief is a performance. And then there is whatever Erica Kirk has been doing — a category of mourning behavior so specific and so strange that it has become its own genre of political theater.

The cameras were there. The tears were scheduled. The whole production had the energy of someone who had workshopped their sorrow in front of a focus group. At some point the mourning stops being about the loss and starts being about the mourner.

Sketchy Politics · No. 13 · Oct. 2026

Editorial note: The grief was real. The staging was not.

Archive

Nos. 01–09
Political cartoon: a state official at a podium announcing the cancellation of a live-streamed execution, while a crowd with phones and cameras looks on in disbelief

No. 12

They Canceled the Live Stream. Not the Execution.

Political cartoon: Gavin Newsom at a podium ordering California corporations to disclose their historical ties to slavery, while executives squirm behind a wall of redacted documents

No. 11

Gavin Newsom Orders Companies to Disclose Past Slavery Ties.

Political cartoon: Tennessee execution chamber — Christa Pike on a gurney, two empty syringes, and an ambulance arriving at the prison gate

No. 10

The State Tried Twice. Then Called an Ambulance.

Political cartoon: Cornell fraternity scandal — Greek letters, a gavel, and the machinery of institutional cover-up

No. 09

The House Always Protects Itself.

Sketchy Politics is a recurring culture column featuring original political cartoons and illustrated commentary.

Tragic Tales — Issue No. 03

Desert Detour

The crew gets a press invite to the National Honesty in Gambling Summit in Las Vegas. Nobody asks why. Rizz says follow the money. The desert blinks first.

Tragic Tales: Desert Detour — the Tragedy USA crew road-trips to Las Vegas for the National Honesty in Gambling Summit. Four panels: desert highway, gas station slots, neon lizard billboard, and arriving on the Strip with papers flying.

Archive

Issues No. 01–02

Issue No. 02

Back in the Day

A flashback to Rizz and Rich's college years. A fraternity hazing ritual. A decision that probably shouldn't have been made. Some things never change.

Issue No. 01

Boston Is a Real Place

The newsroom debates whether Boston is a real city or just where New Jersey sends its trash. Tom Brady is cited as evidence. Nobody wins. Somebody gets a Dunkin'.

Tragic Tales is a recurring comic series from the Tragedy USA newsroom.

Tragedy USA is looking for writers, photographers, bloggers and photos of Spider-Man — punk recruitment poster

Join the team

Real people. Real stories.

Tragedy USA is looking for writers, photographers, bloggers — and yes, photos of Spider-Man. If you've got something to say and the nerve to say it, we want to hear from you.

Punk people change things. Write. Shoot. Blog. Share.

Submit your work
Smiddy The Kitty, staff critic, sleeping on a plaid blanket
Smiddy The Kitty / staff critic

Smiddy The Kitty

A nonpartisan grievance desk.

Smiddy The Kitty has opinions. They are not always printable. They are always correct.

  1. 01Loud neighbors
  2. 02Empty promises
  3. 03Bad takes

High Fidelity

What we're listening to this week.

Records the staff won't shut up about.

Week of October 1, 2026

01

Won't Be Disgraced by GODSHATE album cover

Won't Be Disgraced

GODSHATE2024

"Unrelenting. The kind of record that makes you want to flip a table and mean it."

— Simo Dollaz

02

He Got Game by Public Enemy album cover

He Got Game

Public Enemy1998

"Chuck D over Stax samples. A soundtrack that understood the game before the game knew it was being watched."

— The Riz

03

Blue Valentine by Tom Waits album cover

Blue Valentine

Tom Waits1978

""Christmas Card from a Hooker in Minneapolis" is the most honest song about hope and disappointment ever recorded. Full stop."

— The Riz

04

Dark Passion Play by Nightwish album cover

Dark Passion Play

Nightwish2007

"Orchestral, operatic, and completely unashamed about it. Anette Oksman steps in and doesn't flinch once."

— Alyssa G

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